Art since 1900 : modernism, antimodernism, postmodernism.
Art since 1900 : modernism, antimodernism, postmodernism. Question / Commentaire
Londres : Thames & Hudson
2016, 896 p. : anglais (Livre)
2016, 896 p. : anglais (Livre)
Bois, Yve-Alain, "1960-1969 / 1967c For their first manifestation, the four artists of the french group BMPT paint in public, each artist repeating exactly from canvas to canvas asimple configuration of his choice: their form of Conceptulist painting is the latest in a line of attaxks against "official" abstraction in postwar France.", p.591-596
Exposition(s) citée(s)
- "Manifestation 3" , Paris 1967 , repr. p. 596
- "18ème Salon de la Jeune Peinture – Manifestation 1" , Paris 1967 , cit. p. 596
Oeuvre(s) citée(s)
- Peinture – Manifestation 3 , Paris 1967 , repr. p. 596
Buchloh, Benjamin H. D., "1970-1979 / 1971 The Guggenheim Museum in New York cancels Hans Haacke's show and suppresses Daniel Buren's contribution to the Sixth Guggenheim International Exhibition: practices of institutional critique encounter the resistance of the Minimalist generation.", p. 621-624
Exposition(s) citée(s)
- "Guggenheim International Exhibition 1971" , New York 1971 , cit. p. 622-623, repr. p. 622
Oeuvre(s) citée(s)
- Peinture-Sculpture , New York 1971 , cit. p. 622-623, repr. p. 622
Buchloh, Benjamin H. D., "1970-1979 / 1972b The International exhibition Documenta 5, held in Kassel, West Germany, marks the Institutional acceptance of Conceptual art in Europe.", p. 630-635
Exposition(s) citée(s)
- "Documenta 5" , Cassel 1972 , cit. p. 630
- "Affichages sauvages" à l'occasion de l'exposition "Live in your Head / When Attitudes become Form / Works Concepts - Processes - Situations - Information", Kunsthalle Bern , Berne 1969 , cit. p. 630
Oeuvre(s) citée(s)
- Exposition d’une exposition : Une Pièce en sept tableaux , Cassel 1972 , cit. p. 630, 635